Then,
Ross enters. He greets all with a Cheshire-Cat smile and cocks his
head in a few familiar directions as he makes his way to the stereo.
Now at this point, many a yoga instructor might choose to light
a candle, burn incense or ask students to sit quietly for a few
moments to find their center. Ross takes it in a different direction.
He pulls out his iPod, plugs it in and cranks up the volume. Class
begins. For the next hour and a half, students groove through lengthy
holds of yoga postures to the varied beats of Tupac Shakur, The
Beatles, Lauryn Hill, Bob Marley, classic rock selections and a
host of others.
Although
the role that music plays in Ross' yoga classes might surprise some
practitioners, a quick look at his rhythmic background makes it
seem less out of tune. Ross began playing the guitar when he was
12 years old and went on to play with such bands as Fleetwood Mac,
Men At Work, The Beach Boys and Stevie Nicks. He even made an instructional
video titled "Play the Guitar Overnight." Music has always
been a part of his approach to teaching yoga, but he claims to have
been more reserved in his early years. "I didn't immediately
bust out with hip-hop. I eased into it."
A native
to Los Angeles, Ross first got into yoga when he was 17. He says
that yoga in Southern California was different back then (he refuses
to disclose the year), "It was a smaller scene, a fringe hippy
scene. The alignment rules of 'correct way' and 'wrong way'
weren't in it."
He
went on to train as a monk in the Vedic tradition, which entailed
a shaved head, celibacy, studying with a Sanskrit scholar and traveling
with an Indian guru in the U.S. and India for four years. Every
day he was up at three a.m., meditating, chanting, doing service,
adhering to a strict diet - "intense and very
traditional."
Ross
was certified as a yoga instructor in 1980, but didn't begin teaching
immediately. Eventually, he took up residence at Yoga Works. During
his tenure there, he was still a working musician and last toured
in 1993, after which he set aside his guitar (Well, not completely;
he's presently recording a "non-traditional" chanting
CD) and rolled out his yoga mat. He's now been teaching for 20 years
and opened Maha Yoga four years ago.
In
response to "traditional purists" complaints that music
shouldn't be played during class, Ross replies, "If they were
really traditional they'd be doing yoga in a cave by themselves.
They'd be celibate. They wouldn't touch money. They wouldn't use
walls, blocks and other props." He refers to his style as a
"contemporization," something for the modern world. "If
you talk in low tones, wear beads and say namaste a lot, it doesn't
make you spiritual. It just means you act spiritual."
Ross
cites a Sanskrit saying that translates to There's nothing but consciousness
everywhere. There's nothing that is not the absolute. "That
being the case," he says, "loud music is just as much
God as no music. Fun is just as much God as seriousness. There is
nothing that is not spiritual."
While
some might have a problem with the surround sound approach to his
Level 2 & 3 classes, it's obvious by Ross' enthusiastic following
that many do not. "I seem to attract people who are happy and
they leave class happy, joyous and expanded. Certain types won't
like my class and that's fine. It's still nice to at least have
the option to go and just do yoga and have fun. That's what I present."
But
there's also a lesser-known, quieter side to Steve. It reveals itself
in his Saturday evening Taoist class. Here, his choice of music
is much more subdued as he advises students sinking into double
pigeon, "Quiet the mind, that which gets in the way of awareness."
All the postures are done on the floor and held for lengths of five
minutes or longer.
Clearly,
Steve Ross is one teacher who understands the adage 'there is more
than one path up the mountain.' Even if his yoga-as-celebration
approach is not your thing, it's nice to know you're still invited
to the party.